![]() Most of the time you’ll find that it’s best to process a track in this external application first and then import the processed track into your editing application. However, when more extensive processing is required, then it’s time to use the RX 8 Audio Editor application. If you are working in Audition or Premiere Pro, for example, and need to apply a De-clip or De-ess effect to a voice-over recording, then you can simply apply that individual iZotope filter to the track. RX8 filters work in Premiere Pro and Final Cut Pro X, as well as other NLEs. In addition, a standalone application – the RX 8 Audio Editor – is also installed. ![]() RX 8 is different in that it installs over a dozen individual AU, VST, and AAX plug-ins, instead of a single “mothership” plug-in. The filters work in real-time within the framework of the DAW or NLE. In concept, it functions like a channel strip or effects rack. Then, configure the processing modules that you need within the Nectar interface. iZotope’s Neutron, Nectar, and Ozone each install as a single plug-in that iZotope likes to call a “mothership.” This means that you apply a single instance of Nectar to a track and it becomes a container. Some video editing software also comes bundled with one or more of the iZotope Elements products. IZotope offers its products, including RX 8, in Elements (“lite”), Standard, and Advanced versions, giving the user the option to pick the feature set that best fits their budget. Use Loudness Control to meet broadcast loudness targets. It’s the latest version of iZotope’s renowned audio repair product. The company offers a number of comprehensive audio products and software suites, but most video editors will primarily be interested in RX 8. iZotope is the go-to brand for many who need best-in-class audio effects tools. ![]() It's a little crazy, but I'm toying with the idea of using De-Hum to try to tame small room resonances that I have to deal with when a video is recorded via Zoom.Most digital audio and video editing applications come with a robust set of audio plug-ins, but many editors and mixers prefer to augment those with third-party effects. I imagine it'll take a long time fo figure out when to use which approach.Īnyone else have particular plugins or combinations that they've found particularly helpful? So under the right conditions it really is a secret weapon, but not most of the time. But on the next several clips it simply didn't do as well as the other multi-plugin approach. So then I assumed that it was the secret weapon. On a whim, I tried Dialogue Isolate, and BAM, it single-handedly did most of the de-reverb and way more de-noising than I thought I could get away with. Worked through several prep steps, worked the plugins, and got so-so results. ![]() In my case, I was trying to remove noise and de-reverb using the obvious Dialogue De-Reverb and either Voice De-Noise or Spectral De-Noise. ![]() It's very interesting to me how the different plugins that seem vaguely related each have a different approach to a problem and sometimes you can be surprised when a single plugin that you wouldn't have thought of first manages to do exactly what you want. ![]()
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